Flemish painting and De Jonckheere Gallery's old master paintings

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Alsloot (van) Denis (0)Ast (van der) Balthazar (1)Avercamp Hendrick (1)Balen (van) Hendrick (0)Balten Pieter (2)Beert Osias (2)Beert the Younger Osias (1)Berghe (van den) Christoffel (1)Bison Giuseppe Bernardino (6)Boeyermans Theodor (1)Bol Hans (2)Bosschaert Johannes (1)Bout Pieter (0)Bouttats Jacob (1)Bredael (van) Josef (3)Breen (van) Adam (2)Brueghel Pieter III Pieter (1)Brueghel the Younger Pieter (10)Brueghel the Younger Jan (5)Brueghel the Elder Jan (4)Bruyn Bartholomeus (1)Caulery (de) Louis (2)Cleve (van) Hendrick (0)Cleve (van) Maerten (2)Clouet François (1)Coeck van Aelst Pieter (1)Coffermans Marcellus (0)Collier Edwaert (1)Corneille de Lyon (5)Craen Laurens (1)Cranach the Younger Lucas (1)Cranach the Elder Lucas (8)David Gerard (1)Duck Jacob (1)German school (2)Flegel Georg (1)Francken the younger Frans (1)Garnier François (1)Gassel Lucas (2)Gysels Peter (4)Gillis Nicolas (1)Goderis Hans (1)Govaerts Abraham (1)Grimmer Abel (10)Grimmer Jacob (3)Guardi Francesco (2)Heem (de) Cornelis (1)Heemskerck (van) Maarten (1)Hoefnagel Jacob (1)Huys Pieter (1)Janssens Abraham (2)Kessel the Elder (van) Jan (8)Kessel (van) Pseudo (1)Key Willem (1)Lanen (van der) Gaspar (1)Leytens Gijsbrecht (1)Mahu Cornelis (1)Master of the parrot (1)Master of 1540 (1)Master of Frankfurt (1)Master of The Legend of St. Magdalena (0)Master of the Legend of Saint Ursula (1)Master of the Half-Length Figures (2)Master of the Prodigal Son (1)Master of the portrait of Andreas Hertwig (1)Mander (van) Karel (1)Mandjin Jan (2)Marieschi Michele (1)Massys Jan (1)Met de Bles Herri (4)Mirou Antoine (1)Moillon Louise (1)Momper (de) Joost (2)The Monogrammist of Brunswick (2)Neefs Pieter (1)Nevele (van) Nicolas (1)Noort (van) Lambert (1)Oosten (van) Isaac (2)Orley (van) Barend (1)Patenier Joachim (1)Peeters Clara (0)Pencz Georg (1)Pourbus the Younger Franz (2)Reymerswael (van) Marinus (1)Rijckaert Martin (5)Rottenhammer Hans (0)Ruthart Carl Borromäus Andreas (1)Ryckaert David (0)Sallaert Antoon (1)Savery Roelandt (1)Savery the elder Jacob (1)Schoevaerts Mathys (1)Schoubroeck Pieter (1)Seghers Daniel (1)Sittow Michel (0)Snyders Frans (0)Snyers Pieter (1)Son (van) Joris (1)Soreau Isaac (0)Stalbempt (van) Adriaen (4)Steenwijck the Younger (van) Hendrick (1)Stockt (van der) Vrancke (1)Sweerts Jeronimus (1)Teniers David (5)Tironi Francesco (1)Valckenborch (van) Lucas (3)Valckenborch (van) Martin (1)Valckenborch (van) Frederick (1)Velde (van de) Anthonie (1)Verhaecht Tobias (0)Verstalen Antonie (1)Vos (de) Martin (1)Vrancx Sebastien (2)Vredeman de Vries Hans (1)Wechelen (van) Hans (1)Wellens de Cock Jan (1)Wildens Jan (1)

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Marcellus Coffermans

Active in Anwerp between 1549 and 1570


Little is known about the life of this singular master. Apparently born in Antwerp, he became a master in this city in 1549. His dated works, which range between 1560 and 1570, reveal a complex artistic personality: essentially attracted by the certainties of the world of his illustrious predecessors, Coffermans comes across as a master with archaic inclinations who is somewhat behind the times in the middle of the 16th century. Preferring the models, compositions and typologies derived from the world of the Flemish Primitives, from Gerard David to van der Goes and van der Weyden, he also draws his inspiration from the graphic work of  M. Schongauer.

A more careful examination of his work, however, reveals distinctly more eclectic and modern influences, in the attention devoted to the rendering of the landscape, the typology of his buildings, the naturalistic feel of his figures and his energetic and simplified workmanship.
Comfortable working on a small scale, he nonetheless generally succeeds in imbuing his compositions with a sort of contained monumentality that is characteristic of his art.

Bearing witness to the persistence of the appeal of the old style among both artists and patrons in the 16th century, Coffermans' oeuvre also displays a "different" and distinctly personal facet of the period of upheaval in all areas of life that the Renaissance constituted in the Netherlands.

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