Flemish painting and De Jonckheere Gallery's old master paintings


Flemish painting is present in the world's greatest museums and has always aroused a special interest and passion among collectors.

Old master paintings, landscapes, portraits, vedute and Italian views: we can assess all the paintings in your collection.


Herri Met de Bles

The siege of Therouanne, with the army led by Charles V camping at the foot of the town

The siege of Therouanne, with the army led by Charles V camping at the foot of the town
Panel - 118.1 x 181 cm - Signed with a white owl, the artist’s symbol (bottom right)
Landscapes, XVth and XVIth paintings

'HERTOGHE·VAN·WLLE·BERGEG' (bottom right on a tent), 'BISCOP·VANTVRNAXX[I?]GRA[F?]' (centre left, on a tent), 'NOMEN [...]' (bottom right, on the tabard of a commander) and 'MOROSVSDEVISSE'...

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Literature : P. Martens, 'La puissance de l'artillerie de Charles Quint au milieu du XVIe siècle: le siège de Thérouanne en 1553', in N. Faucherre and N. Prouteau, eds., Artillerie et fortifications 1200-1550 (Actes du Colloque international à Pathenay (Deux-Sèvres), 1-3 décembre 2006), Rennes, reproduit (à paraître). P. Martens, 'The sieges of Thérouanne: a woodcut by Cornelis Anthonisz. and its reuse in other prints and paintings', The Rijksmuseum Bulletin, reproduit (à paraître).

More informations

C. 1510 Bouvignes – c. 1560 Ferrara

After a long stay in Italy, Herri Met de Bles settled in Malines in 1521, then Amsterdam where Frans Mostaert became his pupil. Very much attracted to Italy, he made a second journey and died in Ferrara around 1560 while serving the Dukes of Este.

A painter of animated panoramic landscapes and religious, mythological or popular scenes, Herri Met de Bles followed the pictorial tradition of his uncle, Joachim Patinier.

The realistic yet imaginary places are an extension of this tradition, especially the rocky mountains with their fantastic configurations; however, our painter asserts his talent through a less rigid and more vaporous atmosphere.

The master was also inspired by the principles of Leonardo da Vinci, who recommended allowing far-off objects to disappear into a light mist to emphasise air effects and to stress perspective.

During his trips to Italy, he was known by the name of ‘Civetta’ owing to the owl he featured in many of his paintings.

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